The Victim's Ball X

by The Victim's Ball

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    The tenth album from The Victim's Ball sees the addition of fresh musicians, and a more collaborative approach to the art. This album continues on with lyrics inspired by Poe, with real and imagined tales. It will spark the interest of any lover of Dark Romantic poetry. You will hear the sounds of post punk, dream pop and early music, with a stronger rock influence than the previous album. The structure continues to develop and evolve...

    Includes unlimited streaming of The Victim's Ball X via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days
    edition of 100 
    Purchasable with gift card

      $28 AUD or more 

     

1.
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The Fall 04:03
4.
The Portrait 03:47
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8.
9.
All in time 04:49
10.

about

The tenth album from The Victim's Ball sees the addition of fresh musicians, and a more collaborative approach to the art. This album continues on with lyrics inspired by Poe, with real and imagined tales. It will spark the interest of any lover of Dark Romantic poetry. You will hear the sounds of post punk, dream pop and early music, with a stronger rock influence than the previous album. The structure continues to develop and evolve...

credits

released July 10, 2019

Ash Bauermeister: Percussions
Dylan Scutti: Bass guitar, Rhythm guitar and vocals
Joanne Missen: Vocals and back vocals
Luke Mosse: lead/rhythm/solo guitar and sampler
Mik Thornley: lead/rhythm guitar
Roberto Massaglia: lyrics, Vocals, Hurdy gurdy, rhythm guitar, bass guitar, programming
Chris McCarter: guest rhythm guitar on ‘All in time’
Neil sims: guest solo guitar on ‘A harlot's progress’
All Music composed by Massaglia/Scutti, except for 
‘Three men in a coffin’ by Scutti/Thornley/Massaglia and 
‘A Harlot's progress’, ‘The cruel mother’, ‘all in time’ by Massaglia
produced and mixed by roberto massaglia at Tankt studios
Mastering by Adam Calaitzis at Toyland studios

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The Victim's Ball Melbourne, Australia

The Victim's Ball is a mix of sounds ranging from Post-punk, Dream pop and Shoegaze; from distorted guitars to early instruments such as the Hurdy Gurdys.

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